John Dough gives his assistance in the celebration of the Fourth. No end of trouble results from the invasion of his peaceful rest by the much-despised Miffkits. Then comes the cherub, who introduces Dough to his animal friends, incidentally secures supplies. He then visits the fairies' garden and later interviews the Princess Ozma, who makes a prophecy: "The throne of Lo-Hi shall vacant be until the coming by air or sea of an oven baked man and a Cherub wee." Accordingly John Dough drops into the Land of Oz and meets the Cherub.

A Cherub delivers a message from God through an ultrasound

Malou is a woman living in a fancy Stockholm suburb, but her successful facade is on the verge of collapsing . When she happens to stumble across 47 million SEK from a robbery, she opens up a bakery in order to launder the money. Liana is an indebted single mom who was abandoned when her ex got arrested for that same robbery. When Liana unwillingly gets involved in the hunt for the money, the two women's paths cross.

In Dough, women are squished alone into tiny compartments like boxed jewels or battery farm hens. With their cells linked by a system of tubes, shoots and holes, they all perform bizarre functions in a production line. This culminates with a teardrop drawn by sniffing flowers, which runs down a huge woman's dimpled legs and then drips off her toe through a hole in the floor to impregnate a lump of dough beneath, which is then vacuum-packed. It shows a neat division of labour in the creation of pointless products, with implications that reach way beyond the beauty industry, to capitalism's mindless cycle of production and consumption. Rottenberg's boxed-in workforce has much to say about a culture that at once idolises, fetishises and exploits women's bodies – from female sweatshop workers to the desirable distortions of pin-up girls. Works like Dough first made the Buenos Aires-born, New York-based artist's name in the mid-2000s. More recently, she's broadened her vision, tackling globalisation and a shrinking world. 　　https://www.guggenheim.org/artwork/17312

This is the tale of John Henry. The one from the railroad story. Legend goes that John Henry was a freed slave. John took his only son out looking for work. He was out to make a new life for himself. He heard somethin’ about railroad work needing to be done. So that’s where he went. But trouble was just around the bend.

For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.

For the “Dough Boys” every day is a struggle to survive. Determined to make something of their lives, these four friends work any hustle no matter how risky. But when they bite off more than they can chew, their loyal bond is tested as they fight to stay alive. Now, the rules of the street that they live by are the very rules that could destroy them.

John leads an ordinary life with a monotonous routine. One day John runs into a woman on the subway who is as beautiful as she is mysterious named June. His encounter with her finally leads him to have a goal in his bumptious life.

Working as a cleaning lady, studying at university and maintaining a relationship with her high school sweetheart, John, is all Eugenia does to achieve her goal of entering medical school despite her undocumented status. When her sister gets arrested for a routine traffic ticket, she turns to John for help, but she finds that John's response is surprisingly aloof. As she struggles to prevent her sister's deportation and tries to salvage her romance with her boyfriend, Eugenia realizes that her position in America is more tenuous than she ever imagined.

Follows pizza competitors from all walks of life to showcase their pizza slinging skills and battle it out for $10,000.